about Lonesome Liz

Roots Country and Blues artist Lonesome Liz was dubbed 'The Female Robert Johnson' by 'Southern Fried Magazine'; honoring both her sultry contralto and the Hellhound on her trail. Her performances are heavy with Southern Gothic undertones. A natural storyteller, her words shift to expose the seamy underbelly of the South, which she translates through a mystic veil of mojo; often drawing on history along with Hoodoo and other Folk traditions.

Her performances have included Drive-by Truckers artist Wes Freed, art revolutionary Molly Crabapple, Jesco the Dancing Outlaw and she's shared a stage with Timbuk III's Pat MacDonald, The Goddamn Gallows and the .357 String Band.

Featured in the upcoming Hasil Adkins documentary, 'My Blue Star' by Ron Thomas Smith, she has she has also appeared in and directed dozens of plays as well as in an award-winning independent film, 'Leon's Aspirations'. Also a playwright, she has written and produced adaptations of both 'Faust' and Sartre's 'No Exit'.

A multi-disciplinary artist, she is also a music and fine art journalist, published primarily in 'Outlaw Magazine', 'Fine Art Magazine' and GratefulWeb.net. She was the last writer to interview Mike Seeger before his death and her Levon Helm retrospective received praise from Bob Dylan himself.

She has also been tarot, astrology and mythology editor for BellaOnline.com and Suite101.com. Her writing and photography are featured in the best-selling 'Everything Ghost Hunting Guide'. She began writing in Chicago, when Slam was first emerging and her poetry as well as her lyrics have received praise from Beat Poets Charles Plymell and Robert Brannan.

Her strong, sultry voice and powerful lyrics are captivating. Though unquestionably feminine and alluring, she describes hangings, hauntings, reckonings and shoot-outs in a way that makes you think she was not only there but participated. One of Country's true Outlaw Women, Liz blasted the boundaries of Alt Country. However it's delivered, her sultry Southern vision takes you far from the expected. It's hard to resist the spell Lonesome Liz casts when her mojo's rising...

Do not go where the path may lead, go where there is no path and leave a trail.

Ralph Waldo Emmerson
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My Poetry

The Mojo Sideshow


Poems From a Lost Chicago Notebook...

L.L. Brooklyn, photo by Beth Hommel




We Don't Get Along Like We Used to
Morning: 
a silence. 
I rise, 
eyes lightbulb wide. 

You fall 
tall Icarus. 
You grab at me 
like a suicide with second thoughts grabs air. 

Two Days in a Haze 

We forgot the time some time ago. 
Amnesia struck a sudden blow. 
Kocked us back sharp as sun slapped 
across the face of morning. 
Without warning 
we just forgot the time. 

Though the clock ticked days, 
though our eyes grew glazed, 
we continued unphased 
till all of our parts 
(including our hearts) 
were sore. 

We grabbed for more. 
We fell on the floor. 
Bent, rent, spent; 
time came and went 
but we had forgotten the time 
some time ago. 

We dropped, 
stopped, 
surprised realized 
it was well past five. 

Knocked back, 
a sharp slap 
we remembered the time.




 

Circus skirt by Julie Schworm
Concrete Concubine


I am a kept woman, 



concubine to the Corporate King of Concrete. 
Do I amuse? 
Draw you in? 
Closer now, come in, come in. 
I am a collector of men. 
See how the land you pick through lies, 
I have been told that I surprise... 

I have been told 
through flashed winks 
and smiles of anticipation 
in rooms where I am merely decoration 
that I unsettle. 

Do you dare? 
Beware, 
I handmaiden of high-rise 
dwell in air and there lies 
a paradise 
many flatly strain to reach. 

L.L. and Katelan Foisy, photo by Beth Hommel
Eight Halsted

Passenger 3: Looks nervous, like he's got to drop some shit off to a real anxious guy. 

Passenger 4: You know I heard this guy ankle break last night!  This guy he kick him it went creeakkk! Snap! I gonna get me a gun. 

Passenger 5: Gonna get me a gun real soon too, yep, gonna get me a gun 

Passenger 1: They call it a depressed area. 

Passenger 2: Make it hard to get outta here, hard to get anywhere. 

Passenger 4: Gonna get me a gun for Christmas. 

Passenger 6: Shhhh! Girl you better quiet down! 

Passenger 4: I be as loud as I want.  I scream if I want to.  I gonna get me a gun.  Gonna get me a gun for Christmas. 

Passenger getting on: This ain't no bus that run on time.


Photos from Bellocq's Storyville...


Achilles
One 



Squelching 
Jab 
and 
I'm immobilized. 
You 
make me gape and gush; 
slice me open and 
unveil soft, squishy secrets. 

The pain is quite extraordinary; 
a sweet release 
as if I had been eager to sustain you. 

You promise a violent extraction 
to exceed this brutal joining. 
Still, 
I am quite unable 
to pluck or pry you out; 
to peer past blackening blood 
and find its cause. 

The little eye you opened 
will not close 
nor ever cease 
to weep.

Yesterday

Kisses fell from your lips like proverbs. 
Cats stretched wanting to be fed; 
so did you. 
I gave you love for breakfast.






The Kiss

Your kiss 
is as soft as a flower 
about to die; 
it's melting, 
like a popsicle in July.

Observations Made On Wednesday

The sun hits the blinds 
7am wide. 
I anticipate; then compare 
7am to a needle misdirected. 

8am 
I anticipate; then compare 
you to my too hot coffee. 

You're like a needle misdirected.

A Casual Thing




We occur to one another 



on inconsequential days, 
in inconsequential ways. 

We wake to a painted on dawn. 
I produce a manditory grin. 
I begin again to pretend 
I'd like to see you again. 


Blue Light

In the dim blue light 
of a smoke filled room 
I taste the sticky damp heat of you. 

Your toes curl like burning paper 
till we feel the electric shock of time. 








Last Night in June

Burning 
piercing 
flash back past 
torrid 
tangled 
fever 
flailing 
twisting 
you.








Midnight at the Underground

The sad, sad strangeness of you lingers. 
I feel your little fingers. 
They quieted this crevice of the sidewalk; 
quieted the din of spit out songs 
and the sinking clinking of our drinking. 

Here's your unfinished drink 
and a cigarette you rolled 
looking like nothing so much 
as an angel lost in a Warhol film. 

Lucky glass; 
how unfair 
something unaware 
kissed you goodbye. 

The sad, sad strangeness of you lingers, 
returns though you do not.








Szzzzz

Sticky pink pucker 
I'm pulled into your heat. 
Your slow sizzle burn hisssssss 
is like water on neon. 

Fragile light bulb shard, 
naughty grin, 
wax paper skin, 
I have you. 





Thinking of You


I think of you 



when there's nothing else to think of. 
You 
are the only person I could ever love 
if you were the last person on earth.


State Street in September

Perch on decaying eves. 
It's the time of the rotting of the eaves. 
Nothing breathes. 
Blackening trees
A streetlamp, expectant 
in the pale, frozen twilight. 


Barfly

"He gone. He gone. 
He was all I had and he gone. 
I came to Chicago with $2 and a son 
and right now $2 and a son are all I need. 

He died in a bathtub in Washington D.C. 

He gone. 

Do you believe in God? 
Are you afraid of dyin? 
He wasn't afraid of dyin. 
He died in a bathtub in Washington State. 

Do you believe in God? 
Do you have $2? 

He read his Bible. 
He believed in God. 
He gone and I'd go too 
if I could only understand it. 
All those words in the Bible don't make sense to me, 
just don't make sense to me at all. 

He gone 
and I'm afraid. 

Yes, I remember my address. 
I can't go there 
The man there, he won't let me be sad. 
Sad's ok here 
but I need $2 
Do you have $2? 

He gone. 
He gone. 
He was all I had and he gone. 
I came to Chicago with $2 and a son 
and right now $2 and a son are all I need. 
Do you have $2?"

Love and Other Problems...






The Morning After

The sun is up. I'm up before you. 



Your skin reflects the sun. 
You snore. 
I laugh and drift back into unconciousness. 

Tonight I will miss you 
like the sky will miss the sun. 


Room For You
 
Frigid, remote, unfeeling walls, 
without character or definition; 
so much like you.

Sorrow

The air hangs heavy 
like a sigh. 
Black sorrow moving 
you surround me. 

Slow steeping chill 
you fall with night 
like memory. 

The air hangs heavy 
like a sigh. 
Rooms whisper a soft goodbye.

Fragile

Sometimes we forget 
to mark the box 'fragile' 
or storm through warnings. 

You run your tounge across your teeth. 
Your mouth full of doubt, you taste the twang 
of hunched disappointment.


Rememberance of Things Past

Strange to be with you now 
that love has passed. 
Sidelong glances cast 
mask tears. 
You cried once too 
as though you knew. 

Strange to be with you now. 
that love has passed, still stranger.

Music

I remember you still, 
how I preferred the silence of you 
to any music. 
I think and wish in whispers 
to not know you half so well.

Night

Rain spatters like salt, 
pours from blue black night 
onto the abstract dramas 
of cats and children. 
The vain sun is gone. 
It's unforgiving orange 
and gregarious red 
are muffled music now. 
Children demand stars. 
The agressive shots of light 
spatter like salt.


Where You Were

Cold, soft, floating dream of you... 
You took the sun with you. 
There is stillness where you were 
and quiet falling across stillness.

White Things

In shut up drawers I keep memories of you; 
like some keep letters and other hidden things, 
they open rawly like bone and other white things. 

Cigarettes, loose pearls an old kid glove, I browse 
through them when I feel most alone; 
feel raw like bone, 
like Christmas and snow in Virginia 
and other white things. 

In shut up drawers I keep memories of you; 
like some keep letters and other hidden things. 
In every one it is Christmas 
with an enormous tree and a thousand lights 
like snow in Virginia 
lightly sprinkled over moss. 
I browse through them when I feel most alone; 
feel raw like bone, 
like Christmas and snow in Virginia 
and other white things. 


Memory

You enter softly, like drizzle on a drain-pipe. 

I feel the press of your hand on my wrist 
long after you're gone. 

Goodbye
 
I was just going to say goodbye. 
I suppose it has to be done. 
It's just as much my fault, 
I wanted to come. 
I knew it a long time ago 
looking at you 
but what happened? 

Being with you 
was like being kept alive 
by a medicine dropper. 

Now, the morning 
is in the midst of dawn 
and I knew it long 
ago 
I have to go. 
I was just going to say goodbye.


Upside Down 

Now you dance on your head 
as if you wanted the world 
to take notice of you. 

You've little more motive 
than exhebitionism. 

You, moving like that, 
as though 
the world were your mirror. 

The balance 
is thrown off. 

You are so alone. 

Gray Morning 
 
In the morning flung with gray 
sparrows kiss the puckering day. 

You are gone. 

I remember 
your eyes smiled too. 
The morning then was blue, 
when I kissed the puckering you. 


Three am Love Song

I threw out all your letters, 
tossed them into might have been wind 
trying to forget 
that the only me left 
you kept when you left. 

At 3am in Richmond rain 
you came. 
You weren't the same. 

So I threw out all your letters. 
Tossed them into been wind 
trying to forget 
that the only me left you kept. 

Moral: Never desire slippery fishes for their wishes. 

Time Sucks in it's Breath
 
I try to touch you. 
You disappear, 
slip into the end of summer air 
as though my fingers melted you. 

Time sucks in it's breath 
slows it's measure 
from polka to waltz. 

Rain echoes hollowly. 



You & I

Time nails the dust 
of rusting sighs to the wall. 

They fall 
in disappointed fits 
to sharred, fragmented bits 
of expectancy. 

Rememberance skips 
a record broken 
to sharred, fragmented bits. 

They fall like a rusting sighs; 
in disappointed fits. 

Sorrow

I said goodbye 
to your sleepy face 
and you were gone. 

Now memory crawls 
down the wall; 
with a slow-steeping chill. 

It lands with a thud 
and leaves a sorrow-black bruise. 


Anything
 
I think and find 
I would't mind 
not doing anything at all 
if it were you 
I was not 
doing anything at all 
with.

A Miscellany of Misery and Wonder...



Top Ten Things You Don't Say to a Poet

10. Is that it? 
9. Keep working on it. 
8. Sorry, I thought you were finished. 
7. Oh, I just now got that. 
6. So this is only a draft, right? 
5. Read it again, I didn't quite get all that. 
4. When you're finished can I put some music on? 
3. I don't get it. 
2. Haven't I read that before? 
1. Uh huh.


Times Square at Midnight

One 
Electric 
Spit 
Of time.

Portrait of Tio, Goya
On Goya's Paintings

"The dream of reason brings forth monsters." - Goya 

Pinpointed moments 
your reason 
caught up in dreams, 
catches the screams 
twisting inside 
the silent.

Witches Sabbath, Goya
On Mussorgsky's Music

You sound like you found 
death smiling. 
You tell us what it looked like 
in rising surges, 
sunless songs, 
subterranean dins 
of immemorial sorrow. 
They rise from within then 
strike from without. 

When it hits my ears 
I do not doubt 
you saw death smile.

Monsters

Loose cannon do you still cry 





when someone doubts 
there's a monster in your closet 
or claw beneath your bed? 
Is your head 
still stuffed with muffled screams 
and toy soldiers? 
What smolders 
in your corner of rusting sighs? 

Your eyes are canyons sometimes 
when light is right. 
They frighten me 
the way that monster in your closet 
frightens you. 

Stuffed gargoyle smile while 
you grew I remembered.


Pappa Legba
The Basement




In the household of the odd god 
there is a basment for lost fathers. 
Inside it smells dark and green; 
like pipes and crackling leather. 

The heat defeats. 
It is bare, like a lightbulb. 
Iron rails 
stare at creaking fans. 

Six

Brown leaves cling tenatively 
as the hedge sneezes sidewalk chalk. 

Red bycicle and lamplight wait. 
I, six years tenative 
take little note. 

My tounge sticks out... 
Snowflakes twirl in twilight

Chesapeake

The sun teases the waves 
like a matador teases a bull 
with a red that registers 
slow, violent reaction. 

Dreams...

Photos from Lonesome Liz's Mojo Sideshow


Baba Yaga Sings the Bones








She's not a crone 
with a chicken bone home. 

Not this time. 

She's a virgin, 
with skin like the moon, 
a Geisha's inky silk hair, 
with eyes like canyons. 

A cauldron bubbles above a low fire 
A skeleton stretches out on a table. 

She lifts her arms, 
opens her mouth 
and sings the bones. 

I imagine it's the sort of noise 
angels make. 
As impossible to describe 
as infinity. 

Dark Kitchens









I picked your dream last night. 
It's a dark kitchen 
filled with chairs and old women. 
A dream of violets and ticking clocks, 
of fuzz that grows on apricots. 
You, a giantess, stir dew stew 
with your mouth full of stars and chunks of the moon. 
In night air where swans flew there grew 
magnolias and an apple tree. 

Damp fingers press wishes 
to walls in dark kitchens.

Dream of Aunt Bessie's Cats

Banjo the Spider by James Robertson
Cuckoo clock stuffed attic full of old things 
toc 
erratic wool the mold sings 
toc 
with tic thick, heedless echoes 
cuckoo toc. 

Aunt Bessie's cats close evening cautiously. 

There are goblins at the gate 
crouched under late forsythia. 

Aunt Bessie's cats creep quietly 
Aunt Bessie's cats sweep by, meet me 
repeatedly 
in cobwebbled corners of a dark and purple kitchen 
where steam screams peel back vegetable walls. 

The halls are not safe 
There are elves in the cupboard. 

Drown the sound of my why sighs 
cuckoo clock stuffed attic full of old things 
toc 

Misshapen hands scratch at evenings latch 
evening that Aunt Bessie's cats close cautiously 
rings now with tic thick heedless echoes 
of cuckoo toc.

Genisis


Standing on sand I watch the ocean. 
It is somehow drying up and covering the earth 
at the same time. 

Animals, straight out of Dali or Bosch, 
scuttle up from the deep. 
Their leader walks across the sand on his hands.   
He's part human, part fish with zebra stripes. 

A host of hybrids follow, they're coming up for 
air for good.  

Two lions, looking very pleased, try to outrun 
the waves.

Revelation








Lulled by Congressional debates 
over the Middle East, I fall asleep 
on a rainy afternoon. 

I suppose 
I'm still listening. 

I dream I'm floating above the UN 
still hearing the hearings. 

Beneath me an army of millions, 
wearing bishops caps and red and white 
move in a kaleidoscopic shift. 

They make a sound like stars might make 
if we could hear them.

Mother Nature


Art by  Wes Freed




Beneath her pudgy feet 
flowers sprout. 
She tells me she does it so she'll feel more at 
home. 
"Where is home?", I ask.  
"Barbados", she laughs, 
her soft belly quivering above a blue sarong. 

There's something ominous about her, 
something hard to pin down. 

I tell her I understand about the spirits. 
She says she knows, 
that's why she's here. 

The room becomes a primeval hum. 
A circle of shadowy megaliths appear. 
They're like what the statues on Easter Island 
hoped to capture. 
Not so much gods as ancestors 
not so much spirits as source. 

There's something ominous about them. 
Something hard to pin down. 

They disappear. 

Mother Nature sits 
surrounded by flowers 
and talks about Barbados. 


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